I made braids based on two braids in Dr. Hanna Zimmerman’s Textiel in Context. The translation excerpts are my work. If you choose to use it, please give proper citation of the translation work and Dr. Zimmerman’s work.
Both braids are made of three about 1 cm wide braided strands. The braid 45T9 is 63 cm long. Each strand consists of a core of likely thick felt with woolen fabric folded around it. The braid is so woven that the seams are invisible at the rear of the braid. On this side there’s a little dirt and wear. The “good” side of the braid shows more wear and dirt. Both ends are sewn firmly together and have traces of sewing.
Because both the braids back sides appear unworn and the fronts are worn, this suggests that they have been attached to another object. This conjecture is supported by the fact that the rear sides are relatively clean. Still no trace is visible that they were sewn on to something. The length of 63 cm from the first braid (the second is cut) could indicate that they have been used to trim a felt hat. On a location like that it is not necessary to fasten them over the entire length, and in use would only wear the front side of the braid. There is no iconographic confirmation of this yet. In many of the felt hats that were found, there are impressions of visible bands, but they are generally quite narrow. Der Kinderen-Besier, who pays much attention to headwear in the last quarter of the 16th century, shows three hats with broad bands, which are not, however, braided. (Zimmerman, 239-40)
I believe, based on a series of paintings of the same woman by Adriaen van Cronenburg, that these braids are false braids like the German zoepfe. That certainly doesn’t explain the wear/dirt, but the extant braids were thrown in a garbage pit so who knows.
Here she is again without false braids. At least, I believe her braids in the above painting are false because unlike the paintings below where Cronenburg painted the texture of her hair, that’s been omitted.
I e-mailed Dr. Zimmerman about these, but unfortunately she passed. What she’s contributed to 16th century clothing in the Low Countries is amazing, and her legacy will live on through her work.
When I started my braids using “blonde” wool from William Booth Draper, I planned to stuff them with roving since I had it on hand. I shelved the project when I got busy with work. This turned out to be a huge pain and I decided to continue the project over this weekend, but this time with 100% wool felt. It’s already going more smoothly, even though the felt does tend to stretch very easily.
My braids are made of 36″ long 1 1/4″ wide strips, with about 1/4″ seam allowances folded down towards the middle. The felt strip is about 5/8″ wide. I lay it flat in as I’m working and everything gets worked in. Here’s the whole process.
Note: After I made these a link about making bias tape using a pin and an ironing board came to my attention. Don’t do it the hard way – try it this
|Starting is the most difficult.
|You have to tuck and fold and pinch as you go.
When you have three tubes made, you sew the ends of the tubes together like so.
I finished them by overlapping the ends and quickly whipstitching the ends to secure it. Because they are not incredibly dense it is not uncomfortable to wear them in this manner.
When worn with a veil, they look amazing and correct!